Playing Blu-Ray discs with VLC

So while I was out yesterday, I came across some outdoor fire sale on Blu-Ray discs. Normally they are expensive, at an outstanding ¥2,381 which is just crazy. But for some reason they were only ¥1,000 each. Since I have no entertainment out in Japan, I fell into the nostalgia trap, and picked up a bunch of old favorites.

All I needed was a Blu-Ray drive, which I picked up for ¥2,700 and finally needed some software to play it. While VLC does a great job with DVD’s that doesn’t mean anything, does it?

Well starting with version 3, the framework for Blu-Ray playback is in place! But you’ll need some additional files in place, which after a lot of hunting I found on There you can find both the keys database and AACS dynamic library.

The keys database is copied to the C:\ProgramData\aacs\ directory, and the DLL just is placed into the program directory.

And surprisingly it works well! Granted I’m using an i7-4790k, which I picked up as junk for around ¥20,000. Although I was initially excited as it had 16GB of RAM, a m.2 slot (I got a 512GB new drive for ¥5,900), it’s a nice box compared to the old i5 thing. And rocking a GTX 970, it was nearly top of the line for 7 years ago, but we pretty much hit peak computing, so this thing is fine. I thought it was a bargain as it also includes a liquid cooler, but it appears the main circulator is seizing or something as it is kind of noisy.

What was kind of interesting was that there was so many Blade Runner Blu-Ray discs to be had. I picked up a few, and one I’d never seen before the Archival version. Although maybe it’s a Japanese only release? I’m not sure, but to be honest I never really look at physical releases as it’s yet another thing to eventually lose. Despite having lost everything, I still have my iTunes library.

The light that burns twice as bright, burns half as long…

Maybe I was just a strange kid, maybe it’s just an artifact of growing up in the GTA (Greater Toronto Area), where Citytv would put the film on immediately after Auld Lang Syne would finish. A great way to start the new year. (Incidentally in a weird way many stores in Japan will play Auld Lang Syne when they are closing)

2019 seemed such a long far off date, and yet here we are.

Since I’m tagged as a game site, back in the late 90’s there was even a Blade Runner game! You can find it over on, patched and ‘fixed’ for modern systems (I had to run the bladexp on my Fujitsu machine running Windows 10), although considering the PII 233 I had back then, and this thing clocking in at 2.9Ghz the game play is very pokey. At the time it was an amazing game, with so much CGI, interwoven animations, and all the voice acting. Set in scenes reminisce of the film, it starts down a very familiar path, then goes off the rails during the predictable plot twist, but opens up enough paths to lead to a few moral choices and thusly different outcomes.

I dare say in 1997 that it really was ground breaking technology to give the look, feel and aesthetic of Blade Runner, and they even got the rights to use hints of the Vangelis score here & there, leaning on the old and trying to go in a new direction.

But compared to modern pacing it may be awfully slow, totally on rails, and one of those point & click, and find the hidden thing in the scene, along with click the person 100x to get different answers. While not as dire as ‘I have no mouth,and I must scream’ where you are hoping for the least worst ending, Blade Runner does have that optimistic style ending that was pushed onto the film’s original ambiguous ending where Deckard holds the unicorn and hears Gaf’s message implying that even if Rachel isn’t retired, that she doesn’t have very long to live. Just as he very well might not have long to live.

The game is almost maditory for real fanatics of scifi fans of the 1980’s, but odds are if you are, you’d have played this game back when it released.

As for the kids of today… I imagine that Blade Runner would be pretty much like 2001. Slow, confusing and messy. As Harrison Ford put it, it’s a detective who doesn’t detect. Just as both films feature legendary Directors who establish amazing worlds, and atmospheres they deliberately remove the humanity from the humans, and entrust it to the machines, the real torch barres of the future. Sometimes I wonder if Riddly Scott grasped the human angle of the final confrontation, and why there was so many misfirings with Prometheus and Covenant…. But that disappointment is for another time.

One thing that really established the aesthetic of Cyberpunk was Sir Run Run Shaw’s involvement in producing the film, as the Hong Kong Ladie’s Market, Shum Shai Po, and Mong Kong give that impression for the November 2019 that isn’t quite reality. Just as that ancient novel Neuromancer, established forever the vibe of Chiba having the sky that felt like a TV set to a dead channel (I’m currently across the bay in Tokyo, and it’s a nice blue.. How future prophetic), where that feeling of old tube televisions displaying the noise of the electromagnetic storm of the stars & the solar wind, would give us the old gray snow. Now forever replaced with the clear blue skies.

Despite the Orwellian nature of the wonderful internet, the brave new world feeling of the ‘licensed’ clinics of Shenzhen in many ways the future is brighter today, than it would have been in the 1980’s version of today.